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         graphic 
          by Peter Davis 
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A Comedy of Suspicion by
    Steven 
    Dietz 
directed by
    Bob Stachel 
produced by
    David Atwood
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         PRIVATE EYES 
          is a comedy of suspicion in which nothing is ever quite what it seems. 
          Matthew's wife, Lisa, is having an affair with Adrian, a British theater 
          director. Or perhaps the affair is part of the play being rehearsed. 
          Or perhaps Matthew has imagined all of it simply to have something to 
          report to Frank, his therapist. And Finally, there is Cory -- the mysterious 
          woman who seems to shadow the others -- who brings the story to its 
          surprising conclusion. Or does she? The audience itself plays the role 
          of detective in this hilarious "relationship thriller" about love, lust 
          and the power of deception.  
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         Adrian 
       | 
      Bob Hannan | |
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         Cory 
       | 
      Debra Butler | |
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         Frank 
       | 
      Rik Pierce | |
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         Lisa 
       | 
      Shana Dirik | |
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         Matthew 
       | 
      Larry Peterson | |
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            The 
            Production Crew           | 
      ||
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           Producer          | 
        David Atwood | |
Stage Mgr  | 
        Cathie Regan | |
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           Asst Stage Mgr
                      | 
        Peter Yensen | |
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           Props          | 
        Heddie Kent | |
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           Lights          | 
        Chuck Eldridge | |
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           Sound          | 
         
          ![]()  | 
        Mark Elliott | 
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           Set 
            Design          | 
        Art Kinsman | |
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           Costumes          | 
         
          ![]()  | 
        Dolores Carabillo | 
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           Make 
            up          | 
        Charlie Atherton | |
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           publicity          | 
        Stefanie Cloutier | |
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           Photography          | 
        Judith Broggi | |
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           Program          | 
        Iain Bason | |
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         "Steven Dietz's...Pirandellian smooch to the mercurial nature of theatrical illusion and romantic truth, Dietz's spiraling structure and breathless pacing provide enough of an oxygen rush to revive any moribund audience member .... Dietz's mastery of playmaking ... is cause for kudos." --The Village Voice. "The cleverest and most artful piece presented at the 21st annual [Humana] festival was PRIVATE EYES by writer-director Steven Dietz .... Dietz has created a romantic comedy in which what's real inevitably turns out to be an illusion. It's a play within a play within a play within a play within a psychiatrist's office--a Chinese box full of tricks and surprises." --Chicago Tribune.  |